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Welcoming Our 2023 Sound Reel to the Stage

Welcoming Our 2023 Sound Reel to the Stage

Monks news Monks news, Original Content, Studio 4 min read
Profile picture for user Maarten Meussen

Written by
Maarten Meussen
Head of Sound

Color sounds wave shape into a circle

We have just released our latest Sound.Monks reel and, if I may say so myself, it’s a true earcatcher. Not just because it showcases our best work of the last few years, but also because it tells a much broader success story: the sound of multiple creative disciplines working together harmoniously. But before we dive into our sound team’s cross-country collaboration, let’s take a moment to spotlight sound itself.

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You can’t beat the impact of sound.

Call me biased, but I consider sound to be an essential part of integrated production. It has the power to fully immerse people in any type of environment. By emphasizing different moods, sound design and music can guide the attention of the listener, create a sense of anticipation, elicit emotions, spur (inter)actions, or simply bring a lot of positive energy into a room. In any case, sound can leave a big impact—sometimes it’s even the only thing that people remember from a piece of content.

Through our 2023 sound reel, which captures some of our most outstanding work for the world’s biggest brands, we aim to convey the unrivaled experiences that sound can bring. In essence, it’s a compilation of the most exciting, extraordinary and even unexpected projects that not only stuck with us, but also struck a chord with our clients and audiences. 

We unify composers, musicians and sound designers across the globe.

Our sound team is spread across Argentina and the Netherlands and consists of an eclectic mix of composers and sound designers who come with a wealth of experience. Whether you need a custom composition, lively sound design, or an immaculate mix, we got you covered. As wide-ranging as sound itself, our team not only houses a diverse spectrum of skills, but each member also has their own expertise. On top of that, we have many talented musicians on board, from gifted violin players to hard-hitting drummers. 

Even though our team is split across two locations, with a massive ocean in the middle, everyone is completely attuned to each other and used to collaborating on projects across continents. This comes in handy when you work with clients around the world. When one workday ends, another’s still in full swing, which allows us to leverage the benefits of covering multiple time zones in meeting tight deadlines. 

For integrated production, it takes two (or more) departments to tango. 

Not only is our international team able to work together effectively, despite the distance and time difference, we also love to join forces with other departments—and it so happens that our internal Films, Post and Animation people are just a few desks away. One especially stunning outcome of these collaborations is the 2022 animation reel, a project that’s very close to our hearts. We composed original music and got to record it with the world-renowned Metropole Orkest at their homebase in Hilversum, which was a mind-blowing experience in and of itself. 

Throughout composing this piece, our Senior Music Composer & Sound Designer Gabriel Barredo, who is based in Buenos Aires, worked closely together with the animators to ensure perfect alignment with all the visuals. He told me that he was very impressed by the music brief. “It had conceptual and technical depth and the music references were awesome,” Gabriel said. “Also, the sound team provided a lot of ideas and feedback so that I could keep improving the piece. It was a great experience because everyone was so involved in the process. It became abundantly clear that we all love what we do, and everyone on the team is willing to share their knowledge, experience and ideas—even if we are thousands of miles away from each other.” 

Hereafter, our Senior Composer Pim van den Heuvel took over as music supervisor, creating scores for every section of the orchestra. He also attended the recording session and consulted with the orchestra and its conductor. Finally, he took on the daunting task of mixing everything together—if you’re curious to see how he managed, make sure to take a peek behind the scenes

More recently, our sound talent across the globe collaborated on a major project for Hulu’s History of the World Part II. To promote the highly anticipated release of this hit series, Media.Monks designed, animated and developed an interactive game for mobile, web and Xbox. Users can spring into the silliness of the show as they’re guided through hilarious historical recreations, such as “The Big Burp” that created the universe. As we were responsible for the music, this project required all our sound design experience, composing power and time zone flexibility. The experience features a massive soundtrack consisting of 11 tracks in wildly different styles. As players progress, the music seamlessly moves from one style to the next and pulls them into new eras. Moreover, the aim of the sound design was to make each environment truly come to life. This required close collaboration with our creatives and developers, as we produced nearly 600 sound files and VO lines—some done by Mel Brooks himself!—on top of the entire music system. 

Sound is the heartbeat of every production.

Needless to say, having sound in-house as an integrated part of the team has many perks. The biggest benefit of them all is that tighter alignment with our creative and other teams automatically results in a more cohesive end product. Whether we are sound designing for an interactive experience, composing a catchy tune, recording VO in different languages, or mixing for the big screen, we always work in close collaboration with our directors and creatives to deliver our best work possible—which you’ll hear when you tune into our 2023 sound reel.

Learn how having sound in-house as an integrated part of your production team results in a more cohesive end product. integrated production in-house agency film production sound design sound Studio Original Content Monks news

Inside Netflix’s Take on the Bedtime Story – With a Twist

Inside Netflix’s Take on the Bedtime Story – With a Twist

5 min read
Profile picture for user mediamonks

Written by
Monks

Inside Netflix’s Take on the Bedtime Story – With a Twist

Spilling across fan wikis, podcasts and tie-ins, today’s stories are bigger than the sum of their parts. While this isn’t exactly new; the Star Wars franchise has famously spanned not only movies, but also games, comics, novels and several TV series. But the vast array of digital channels and a hunger for content has ushered in a new era of transmedia storytelling.

Transmedia works well as a means of both getting viewers into the world or keeping them inside it. This was the strategy behind “Stories to Go to Bed,” a salacious and seductive podcast that expands the world of Netflix’s new thriller series, Dark Desire. The podcast was produced by both Circus, which merged with MediaMonks early this year, and podcast production company Archadia Media.

By redefining the “bedtime story” for an adult audience, Netflix wanted to not only make the show’s promise clear to new viewers, but also make people feel connected to the show’s world through a little bit of extra content. “The brief was: how can we expand the experience of watching this show, not only in the streets but in how people consume everyday content?” explains Yaneth Velázquez, Global Head of Client at Circus, noting that the standard approach of out-of-home activations had to take a backseat due to the pandemic.

Monk Thoughts How can we expand the experience of watching this show, not only in the streets but in how people consume everyday content?

“It was very interesting to extend the show’s universe,” says Sofía López, Sr. Creative at Circus. “We were creating fiction upon a fictional story. For Netflix fans who always want more from their favorite show, this was like a gift for them.” The team aimed to seduce fans with a provocative podcast that highlights the show’s trademark erotic intrigue, narrated by some of its ensemble cast, including Maite Perroni, María Fernanda Yepes and Alejandro Speitzer (Erik Hayser also makes an appearance in Fernanda’s episode).

Each is well-known for their previous roles in telenovelas—and what could be more enticing than listening to a favorite actor or actress whisper in your ear? Not much apparently, because the modern take on the radio play—best enjoyed with headphones, preferably with candles lit—has proved incredibly popular with audiences. The series quickly rose to the number one spot on Spotify’s Top TV & Film Podcasts chart for Mexico.

Since then, the podcast has been fully downloaded over 70,000 times and continues to be relevant almost four weeks after its release with around 300 people listening to it daily; its impact was concentrated mostly in Mexico, but LATAM countries like Colombia, Argentina, Chile, Peru and Brazil enjoyed the podcast as well. It also deserved a shout-out from “Escandala,” the largest LGBT+ news platform in LATAM.

Take an Insight-Driven Approach to Transmedia

When it comes to expanding a narrative, there are so many channels available: mobile games, web platforms, side series and more. How is a brand to choose—and why did Netflix ultimately decide on a podcast for Dark Desire?

After Netflix identified its target audience, its media agency brought together a list of insights on what resonates with them. “They pointed out that the audience loved listening to radio and podcasts during the morning and at night, once their children were at school or asleep,” says Israel Rojas, Content Lead for Title Marketing at Circus. “That was the moment they had for themselves, so we decided to let the idea live in that space.”

The project’s success shows the benefit of having a media and creative team work so closely together. “Instead of us coming to the media agency with ideas, we request their insights first, and then we start thinking with those things in mind,” says Velázquez. “In this case, this is where the audience is consuming the most content. We needed to appeal to what they enjoy, even if it’s not in the place you would first expect.”

The format also allowed for added learnings and data. “The podcast got more than 60,000 downloads, so it’s interesting to consider how many are downloading to listen to it later when they’re alone,” says Velázquez. “These consumption behaviors are new, if audio hasn’t played a role in your strategy before.” Data from Spotify also provides insight on the audience’s musical taste, which can further enhance creative collaboration or targeting.

Enable Collaboration Between Agencies and Showrunners

The podcast is valuable for offering fans a space to linger intimately within the world of the show—which means the show’s characters must be portrayed authentically. In creating a series of exclusive storylines, the Circus team worked on the podcast’s script, taking inspiration from the show’s dark and erotic themes. “We had the idea that everyone has a dark desire and something to hide,” says Rojas. “We created three stories that people won’t see in the show to expand the narrative—three moments to give the fandom something extra.”

Monk Thoughts It was a challenge to capture the same eroticism of the show without using footage. We let the user's imagination complete the journey.

The idea was discussed with the showrunner of the series, who trusted in the project and gave some interesting thought starters for the story. The final scripts were approved and greenlit by the Netflix Content team, but the Circus team was still anxious about what the actors would think: “There was a chance they would read the script and say ‘no’ because they would have to awkwardly moan and recreate sexual scenes, but they read it and loved it,” says Rojas.

“It was a challenge to capture the same eroticism of the show without using footage,” says Elizabeth Beltrán, Creative at Circus. “We let the user’s imagination complete the journey.” But for Rojas, this experience became hilarious: “There’s nothing like spending an hour recording an actor making moaning noises,” he says with a laugh.

Differentiate in the Medium to Heighten Immersion

With actors spread apart internationally and due to restrictions from the pandemic, the team had to get creative in how it would record each episode: one actress recording her episode from her car and another from a closet. “Ideally, you would record everything in a studio using the tech there, but we got scrappy and made it work with a premium sound quality.”

WhatsApp Image 2020-06-22 at 6.30.22 PM

Nothing to see here, just a binaural microphone capturing the sounds of nature.

One way they boosted the listening experience was through binaural recording, which uses two microphones rather than one to create 3D stereo sound (if you’ve ever watched an ASMR video wearing headphones, you’ll know what it sounds like). This recording method resulted in a fully immersive listening experience—and gives listeners another reason to pick up their headphones besides privacy. “We invite people to listen with headphones while they’re listening to this 360-degree experience,” says Velázquez. “You might think that audio-only is an ancient way to tell a story, but we try to bring the full experience out of it.”

As entertainment franchises continue to extend beyond a single channel or stream, brands and their partners can deliver irresistible, seductive content driven by consumer audiences and insights. This way, brands are primed to engage better with audiences across channels in new and more immersive ways—and satiate their audience’s craving for more, no matter how forbidden.

"Stories to Go to Bed" expands on Netflix's "Dark Desire" universe, giving fans a chance to intimately engage in their own dark fantasies. Inside Netflix’s Take on the Bedtime Story – With a Twist Put on headphones before listening to this salacious story.
netflix dark desire spotify podcast podcasting audio sound transmedia original content

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