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mAI Colpevoli • Exposing Victim Blaming with ChatGPT

  • Client

    Sephora

  • Solutions

    SocialSocial CampaignsVideo (TV/CTV)AI & Emerging Technology Consulting

A mission to pioneer change with Sephora.

Sephora approached us with a mission to address the pressing issue of violence against women through a purpose-driven social campaign. Our goal was to challenge cultural biases that fuel victim blaming, showing the collective responsibility of this phenomenon and the total innocence of victims of violence, and also highlight Sephora's steadfast support for women's freedom and self-expression. Launched on International Day for the Elimination of Violence Against Women, our campaign, titled “mAI colpevoli,” was born. Translating to “never guilty,” the campaign is meant to challenge the status quo by exposing how common victim blaming is.

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Case Study

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Using AI to expose toxic societal ideologies.

We produced various media formats and edits for both the teaser phase and the maintenance phases of the campaign. Each film recounts distinct and typical episodes of violence: at home, in the workplace and in a bar setting. To authentically portray the harsh realities of the daily abuse that women endure, we began by gathering reliable data from the internet as well as analytics using artificial intelligence. We relied on ChatGPT to create three scripted monologues, realizing that the AI ends up blaming itself—underscoring the pervasive victim blaming that has become the default response to one’s story of gender-based violence. Because AI learns through imitation, this intentional exposure of artificial intelligence and its outputs, shaped by online user data, aims to encourage the audience to reflect on the impact of their online and in-person behaviors.

Championing a voice for the voiceless.

Together with Sephora, our goal was not only to show support for women but also to ignite transformative change by prompting viewers to rethink their immediate response to accounts of gender-based violence. Through the use of artificial intelligence, we aim to provide unequivocal support to victims who were, without a doubt, "never guilty," despite societal conditioning suggesting otherwise.

Digital looking image of a women who sits in a living room. And the logo from Sephora in white on top.

Recognition

  • The Drum: “A trio of videos from the beauty giant Sephora italy to illuminate a uniquely human problem: the enduring prevalence of female oppression around the world".
  • Vogue: "Monologues [...] that provide food for thought with dual objectives: to stir consciences and to encourage greater awareness among women".
  • Best Ads on Tv: "This campaign demonstrates how deeply ingrained victim blaming still is in our culture and how necessary it is to raise awareness and talk about it".
  • 1x The Drum Awards for Marketing EMEA

  • 5x Lovies

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Studio

Blend technology, data and AI to supercharge original content production.

  • Awards

    32

  • Countries Represented

    32

Lil Miquela stands next to the new BMW X2 and stares at a futuristic beam of light that shines from the sky to the ground.
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Unifying data, technology, and AI to enhance creativity and transform the marketing organization.

In today’s business environment, creativity requires a vast system of support in order to truly succeed. Building a content structure that blends creativity with data, systems, tooling and tech helps not only with content creation, but also transcreation and achieving the cultural nuance required for relevant, award-winning creativity. Our model augments the creative process by including strategic business partners to ensure the most effective plan, centers of excellence housing top talent, and production hubs across the world to get it all done. This model delivers 20-30% cost savings—without sacrificing quality or scale.

The work in action:

  1. Work

    Welcoming Lil Miquela into our world • For the launch of BMW's new all-electric iX2 car, we bridged the physical and the digital by letting virtual influencer Lil Miquela take the wheel.

  2. Closeup from Lil Miquele while she is driving in the BMW X2.

    With the rise of AI, the metaverse and Web3, we saw a unique opportunity to bridge the gap between the physical and the digital: by giving virtual influencer Lil Miquela a vehicle into the real world, bringing along her social audience of more than 8.2 million.

  3. BMW Logo
  4. Two people seen from the back in bathing clothes almost kissing each other
  5. Harnessing the power of AI, we leveraged state-of-the-art tools and technologies to elevate traditional automotive storytelling. The film cleverly merges physical and virtual realms by tapping into pop culture, and makes BMW stand out as a brand that disrupts traditional automotive marketing while preserving human-focused storytelling.

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Award-winning content underpinned by artificial intelligence.

The fundamental principles of storytelling and production may remain the same, but the tools we use to tell these stories are changing by the week. AI is at the core of how our team functions, from the use of camera sensors to AI-powered storyboard creation, to implementing and optimizing custom AI workflows that ensure a seamless production and tracking process. And by orchestrating workflows across data, CRM, DAM and media, we can drive up conversion and ROI through our storytelling.

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Case Study

Scaling and Innovating Content Orchestration for General MotorsDiscover how we unified GM’s content operations, leveraging AI-powered marketing orchestration to deliver faster, scalable and innovative campaigns globally.

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Monk Thoughts What’s most important to brands now is transforming the marketing engine with an AI-first approach.
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Connecting brands with unconventional storytellers.

  1. Artists

    AI-powered talent • Galvanized by our award-winning global studios, our creators push the boundaries of craft across technology and innovation.

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    Staud’s work, featured in prestigious publications and galleries worldwide, captures the beauty, elegance, and cultural significance of vehicles.

  3. Ai generated art of two models

    She’s collaborated with notable artists such as Victoria Beckham, Lil’ Yachty and Oscar the Grouch.

  4. an AI generated Leia from star wars

    Caleb Ward is renowned for his work in AI, which has been featured in major news publications, documentaries and more.

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We provide transformational consolidations for our clients.

Our Studio team leads with a craft and creative mindset, all while removing manual workflows and replacing them with AI. This way, we’re changing the commercial model to focus on output and outcomes instead of people and time—and telling incredible stories in the process.

And we let our work speak for itself.

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How Victoria’s 4th Annual Day of the Dead Film United People and Teams

How Victoria’s 4th Annual Day of the Dead Film United People and Teams

4 min read
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Written by
Monks

A woman standing in the middle of a field full of flowers

For many years, Cerveza Victoria has ignited Mexican culture by showcasing its traditions and mythology—setting a universal example on how to build on, elevate and create cultural significance. Throughout this journey, we’ve been there with Ogilvy Mexico to breathe new life into Day of the Dead, translating an ancient holiday into the language of this age’s digital, modern audiences.

Today, Cerveza Victoria’s Day of the Dead campaign is one of the most anticipated ones in Mexico—as much for the audience as for those bringing it to life. “After four annual campaigns, this has really turned into an epic series,” says Maarten Sündermann, our Head of Film Craft & Directors. “The last campaign was viewed by over 50 million people and grew into something enormous."

The million organic views online serve as a reflection of how branded content can actually build and impact culture. But with each new edition comes increased expectations and new consumer behaviors to take into account, which makes providing a fresh, relevant experience for audiences a bit more challenging every year. The recipe for success, however, is not in what we do; rather, in how we do it.

The Benefits of the Integrated, Multilocal Approach 

From the unforgettable “Xibalba” to this year’s heartfelt “Cempasúchil: The Taste of Reunion,” this series of films takes center stage at the brand’s annual Day of the Dead campaign. This time, the script was built on real comments that people left on Cerveza Victoria’s social channels throughout the years—which became the basis of a deeply touching film reimagining people’s reunion with their late loved ones. “This was a curation of real thoughts that took eight months of research to bring together,” says Sündermann. “It’s a truly unique approach and a great way to accomplish our goal of authentically showcasing Mexico's rich culture and heritage.”

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In addition to the three-minute film, which was directed by the renowned Salomon Ligthelm, our team worked hand in hand with the brand and Ogilvy Mexico to craft two 60-second pieces for both the big screen and TV, fit-for-format content for various digital channels, and more. “In today’s virtualized world, it’s imperative that we complement film with digital-first content that brings a new layer to the experience,” says Mauricio Gaya, Media.Monks Creative Director. “We have to think beyond a single piece or format, and do so before the preproduction stage, because each element should be tailored to the platform it’s intended for.”

Even when brands can fully grasp the importance of moving beyond the big idea approach and producing different forms of content, the challenge usually lies in mastering such a wide variety of formats. “Having an integrated team was essential for us to deliver at speed,” explains Gaya. Add to that the flexibility and agility of our multilocal setup, and production at scale becomes much more efficient. “While our creators in Mexico City shot and edited the hero film, the Amsterdam team worked on post-production, and so on. There was a lot of collaboration and coordination between the Film.Monks, and Salomon, of course, in this process.”

Among the many benefits that integrated, multilocal production offers, rapid turnaround times and diversity of thought are some of the most valuable. This setup can provide brands with a multi-disciplinary talent studio where everything happens under the same (figurative) roof, which translates into more efficient results. In that regard, having different time zones also proved to be highly beneficial for the team, as it enabled them to produce almost around the clock. “It was incredible to wake up to new ideas and content from the team in Amsterdam, and vice-versa,” says Gaya.

A Taste for the Unexpected

In addition to enabling the production of fit-for-format content for a myriad of platforms, an integrated production team is key to fitting all the puzzle pieces together. Although each element must be tailored to its specific channel, they are all part of an ecosystem that should feel seamlessly connected in its consistency. “Banners, static images, Instagram stories—every element complements the other, and they all come together to tell one powerful story,” explains Adrián Pastrana, Media.Monks Executive Producer.

Victoria cerveza beer posters branded for the day of the dead

The team’s symbiosis in the exploration of channels also led to the discovery of new formats. One example of this is a series of posters featuring original designs, which grew from their desire to experiment with various assets—even when these weren’t part of the original plan. “In the end, we had so many experts working on this that they would keep coming up with new deliverables and ideas that we wouldn’t have tried otherwise,” says Pastrana.

In a similar vein, the cross-collaboration of specialists can open the doors for brands to get more ambitious and introduce technologies that require a higher level of expertise. While many shy away from VFX, for instance, our post-production team managed all special effects as well as the film’s original score.

Brewing Up Passion as the Driving Force

Naturally, the Day of the Dead campaign is known for stirring the passion of our creatives, which significantly contributes to the exploration of new formats. As Gaya puts it, “Everyone wants to be part of this project because they already know that it will expand its reaches beyond borders and cultures. And that speaks to both the outstanding production muscle behind these films and their power to resonate with people everywhere.”

And because the film speaks to our universal human experience, there’s no such thing as insurmountable cultural barriers. If anything, having a multilocal team has added new perspectives and wider reach to the cultural impact of Cerveza Victoria’s Day of the Dead campaign, which has earned media coverage in multiple languages and international outlets. 

Ultimately, it’s passion that forges ties between members of a team, as well as the rewarding experience of making a great project come to life. When experts from different disciplines, formats and regions work together through an integrated production framework, you can better amplify brand relevance and enjoy the sort of speed-to-market and personalization that will keep the audience engaged—time and time again.

Our Film.Monks provide renewed experiences for audiences through integrated production. Our Film.Monks provide renewed experiences for audiences through integrated production. Film film production digital experiences
A blue butterfly
Too much to ask video title card

Too Much To Ask • Saving the Planet One Stream at a Time

  • Client

    Justdiggit

  • Solutions

    StudioOriginal ContentArtists

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Inspiring a call to action

Grassroots organization Justdiggit believes in the power of nature to cool down the planet and works to regreen degraded land in Africa to positively affect our world’s climate. As part of Justdiggit’s “Stream to Regreen” initiative, proceeds from participating artists’ tracks streamed across a number of platforms—including Spotify, YouTube and XITE—are donated to the regreening effort.

So when internationally acclaimed record producer, musician and songwriter Don Diablo and Ty Dolla $ign wanted to inspire and empower people all over the world to fight global warming, they released the “Too Much To Ask” video in support of Justdiggit’s mission. And that’s why, in partnership with Havas Group, we worked behind the scenes to make the coolest music video possible—using the most innovative VFX techniques on the planet.

A woman lying down with a blue butterfly over her nose
A person walking with a pick axe that has a butterfly on it

Painting the future green

Our goal was to extend the world we know into the not-so-distant future, to create a true-to-life vision of what our land and our world would look like if we don’t take care to regreen our planet. To elicit a deep connection with our audience, we sought to convey the emotions of our protagonist through the use of lighting and colors. VFX is how we brought that vision to life. We reached into our arsenal of production capabilities: rotoscoping shots by hand, inserting sky replacements and adding depth with shadows. For fully CGI shots, we sculpted digital landscapes from scratch to fit seamlessly into the video's futuristic aesthetic.

Through rigorous compositing and color grading, the music video looks just as good as it sounds—dazzling EDM fans and helping to cool down the planet in the process. Released in June 2021, Don Diablo & Ty Dolla $ign’s “Too Much To Ask” video accumulated over seven million streams in just a few short months, resulting in 280,000 square meters of restored land—and counting.

Monk Thoughts With the help of our ambitious video effects team we changed almost every shot with digital technology to bring to life this magical film.
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An animated DJ plays music around a lit up stage

The Thread • A Groundbreaking Animation Adventure Built in Real-time

  • Client

    Epic Games

  • Solutions

    StudioOriginal ContentImmersive Brand StorytellingVR & Live Video ProductionTechnology Consulting

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A next-level approach to storytelling.

Epic Games invited us to create an immersive animation for their Unreal Build livestream. Titled The Thread, the film was made entirely in Unreal Engine. Ordinarily used as a video game development tool, we set out to showcase the engine’s cinematic qualities by taking Epic’s audience of developers through a variety of scenes—demonstrating the possibilities Unreal Engine’s technology can achieve–all in real time.

Captivating audiences with show-stopping visuals and technology.

Billed at halftime during Epic’s livestream event, we knew in order to hold viewers’ attention, we needed to show up with an immersive experience that expertly illustrated concepts touched on throughout the show. Led by a neon-lit thread, the audience was launched into a cinematic sequence of all the live possibilities Unreal Engine can enhance, such as: science visualization, music concerts, automotive races, or even sports.

Pushing Unreal Engine’s boundaries even further, we also integrated the Niagara particle system to create and adjust visual effects in-engine and without the assistance of a programmer. While traditional entertainment production uses additional 3D software for particle effects, our film proves entire broadcast segments can be made exclusively in Unreal Engine—down to the last pixel.

Showcasing the future of entertainment–in real time.

By rendering expertly crafted scenes, we reinvented the typical title sequence and brought imagination into tangible reality, connecting with Epic’s global audiences on an emotional level. With real-time technology, we proved the endless possibilities that Unreal Engine offers in blending reality and entertainment together.

Threads outline the Unreal Engine logo
Hands spin records on a turn table
Monk Thoughts Creatively, our aim was to recreate the typical title sequence that is usually seen in this broadcast design space, bringing our own new take on this sequence, created 100% in real-time 3D, every final pixel was directly from Unreal Engine.
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Results

  • 1x FWA

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Rocks on a beach making up the Burberry Monogram
Rocks on a beach making up the Burberry Monogram

TB Summer Monogram • Weaving Nature and Technology to Celebrate Fashion

  • Client

    Burberry

  • Solutions

    ExperienceImpactful Brand ActivationsRetail Concept InnovationStudioOriginal Content

An overhead view of a shoreline showing the rock formations for Burberry

An ephemeral mark that leaves an everlasting impression

Every year, Burberry’s monogram campaign marks the start of the upcoming season and sets the mood for the new TB Summer Monogram collection. In 2021, we honored the brand’s key pillars, nature and modernity, by transforming the timeless symbol into a stylish piece of land art on the Welsh shoreline—made exclusively with elements that were already part of the beach.

Cloud
A rock
Press Reimagining the house’s longstanding heritage of exploration, nature melds with technology on a journey of discovery as the Thomas Burberry Monogram is cast across global landscapes, each with its own breathtaking beauty.
Read on VMan

Nature melds with technology to celebrate the unexpected

Inspired by the brand’s long-lasting history of exploration, we also took the campaign to a remote mountain reserve, where a series of 300 drones choreographed to create the iconic motif in the Colorado sky. And the reach was not limited to these secluded locations—for the first time in Burberry’s history, the monogram was displayed in their flagship stores around the world for everyone to see. Weaving nature and technology, we paid homage to Burberry’s heritage while setting the stage for the new era.

Monk Thoughts By implementing a truly 360° approach and working with nature as a medium, we developed and executed activations that were not only sustainable, but also gorgeous reminders of the symbiotic relationship between the earth and humankind.
portrait of a woman with dark hair, wearing a collared shirt, against a shiny white background
  • TB monogram made from lights in the night in front of mountains
  • drones in the sky lights making up the TB monogram
  • Burberry monogram made up by lights in the sky at night
Monk Thoughts Being able to depict that narrative between man and nature in such an incredibly beautiful way was extremely inspiring to me.
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Congrats to MediaMonks Collaborator and DGA Award Nominee Fredrik Bond!

Congrats to MediaMonks Collaborator and DGA Award Nominee Fredrik Bond!

4 min read
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Written by
Monks

Congrats to MediaMonks Collaborator and DGA Award Nominee Fredrik Bond!

Film award season is upon us, and we were delighted to find a friend of the Monks bestowed with high honors: Fredrik Bond, who was nominated for an Outstanding Directorial Achievement in Commercials by the Directors Guild of America (DGA). And he’s in good company: other nominated directors include fellow MJZ member Spike Jonze and Ridley Scott.

Bond is already highly decorated, with nine career nominations under his belt, all for commercial pieces. In a profile on the director, DGA Quarterly magazine reported on Bond’s feelings toward working within the advertising industry: “He thrives on the collaboration with clients and agencies and the genre hopping he’s able to do in the work.”

We’re delighted to hear it, because we agree—MediaMonks collaborated with Bond on “Lighter Than Air,” a 60-second film promoting HP’s Elite Dragonfly convertible laptop. The film takes a humorous approach to showcasing the HP Dragonfly’s portability and versatility, and is one of three spots that secured Bond’s nomination. When we asked Bond for his thoughts on being recognized by the DGA, he said, “I feel truly honored to get selected by my peers and to be part of the group of nominees whose work I love, adore and constantly steal from.”

“A Hollywood Production, Condensed into 60 Seconds”

The idea behind the Dragonfly film, which humorously portrays a woman being carried ever-upward by her gravity-defying convertible laptop, is two-fold. First, it puts the product’s key feature—lightness—on full display. More meaningfully, it hints at the barrier-defying potential of both the product and the people who use it; as the woman is pulled higher and higher by the device, she quite literally breaks the glass ceiling along the way, until she is joined by her Dragonfly-toting cohorts towering over the world.

The creative process  thrived with a series of high-profile partners and best-in-class talent, including Bond from MJZ, The Mill (whose VFX work touches feature-length films) and Marshall Street Editors. Standing on the shoulders of giants, we were given the opportunity to elevate the genre with a premium quality of work. “HP’s ‘Lighter than Air’ encompassed literally everything you would expect from a high-profile Hollywood production, virtuously condensed into 60 seconds,” says Falk Eumann, Creative Director at MediaMonks leading the Dragonfly campaign.

Expanding the Big Idea

The campaign’s idea outlined above was bigger than the 60-second film at its center.  We don’t believe in cutdowns, and instead build fit-for-format content designed from the start for the channels and contexts in which consumers will find them. “During shooting, we were already thinking about which sequences could fit as a pre-roll,” says Eumann, noting that some sequences were shot in square as well for social channels. But we staged photoshoots simultaneous to the film’s shooting, too, resulting in content that wasn’t just format-optimized, but also format-exclusive.

drago01

The short film employs Hollywood-level visual effects to convey the HP Dragonfly’s key feature: lightness and versatility.

Because so many of the shots involved both pyrotechnics and visual effects editing, it was a challenge to plan how each could be efficiently revised for the campaign’s various formats. But we made it work—while production is in our blood, we’re well-equipped to make efficiency gains wherever possible.

Making Impact Across Channels—and the World

We love the chance to tell a meaningful story steeped in cultural relevance. Recently, MediaMonks has beefed up its capacity to tell those stories at-scale. In November, we merged with the high-end production shop WhiteBalance, based in India. As a one-stop shop for premium content in India, WhiteBalance’s talent and tech-driven process enable us to expand our efforts in infusing cultural relevance around the globe—much like the solemn and beautiful “Journey to the Underworld” film that our Mexico City office made in collaboration with Mexican beer brand, Victoria, to celebrate the Day of the Dead.

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The film’s protagonist quite literally breaks through the glass ceiling.

This news follows last fall’s opening of our new film and content studio in the heart of Amsterdam, catering to a diverse clientele. “With fully equipped studios specializing in food, beauty and fashion videography on one hand as well as a team of dedicated creatives on the other, the way the office is set up is unique for The Netherlands,” says Vivian Opsteegh, Head of MediaMonks Film and Content. “And the office will also enjoy the support of a network of more than 1,100 Monks worldwide.”

Likewise, our LA office has similarly opened the doors to its own in-house production studio. Designed for versatility and delivery at speed, both studios put clients in close proximity to creative teams to aid in collaboration and time to market. From tighter integrated campaigns and a more seamless transition from shooting to post-production all in one space, the studio bolsters our promise to offer efficient, consistent and emotionally resonant content optimized for any channel.

In essence, what makes good storytelling are the people behind it. We’re honored to work with passionate tastemakers like Fredrik Bond, whether on our team or through partnerships, to enable a higher quality of creative across channels and around the world. Congratulations to Bond, and here’s to more nominations in the future!

MediaMonks collaborator Fredrik Bond is nominated for a Directors Guild of America award, showcasing the power of premium storytelling in film. Congrats to MediaMonks Collaborator and DGA Award Nominee Fredrik Bond! We say congrats to the highly decorated director behind our “Lighter than Air” campaign for HP.
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