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FLUX.Monks Are Reimagining the Fashion Industry

FLUX.Monks Are Reimagining the Fashion Industry

5 min read
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Written by
Monks

A persons standing in the desert wearing a luxurious outfit

It’s difficult to believe that it has only been a year since our fashion and luxury team—the FLUX.Monks—launched. And what an incredible year it’s been. As fashion weeks cancelled, retail stores closed and supply chains were disrupted, the FLUX.Monks had their work cut out for them. But they rose to the occasion, connecting the dots across a wide range of capabilities to drive fashion’s most powerful element—its human, emotional and expressive heart—into worlds that truly span digital and physical landscapes and platforms.

Contrary to the trappings of the traditional agency with siloed data and creative teams passing the baton, our teams work together from day one to come up with truly integrated and innovative solutions for clients. “The key,” says Liam Osbourne, Global Client Partner for FLUX, “is in maintaining the delicate balance between insight and instinct to preserve the aesthetics and signature style of a brand while exploring different channels, experiences and even audiences.” 

As the industry has transformed, the FLUX.Monks have been busy helping brands reimagine how they connect with customers across numerous channels and experiences by interlacing data-driven insight, purposeful creativity and world-class production capabilities to elicit elegant and meaningful campaigns, activations and experiences. And this past year has been nothing short of amazing, both in what we’ve been able to achieve for fashion and beauty brands during this remarkable time, and what we’ve learned. 

Stepping Off the Catwalk and Into an Interactive World

Over the past eighteen months, fashion shows around the world have enjoyed a period of digital experimentation. Stepping off the catwalk and onto immersive digital channels, fashion houses have had to reimagine the way they tell their stories and represent new collections. Digital experiences have enabled unparalleled access to the previously insider-only world of fashion shows. Now untethered from the catwalk, it’s likely that show formats will never return to the previous constraints of time and space. And with deep category expertise and world-class capabilities across new and emerging technologies, the FLUX.Monks are uniquely positioned to bring the fashion show of the future to life. The trick is in creating immersive, tactile experiences that engage new consumers without alienating, or inadvertently excluding, brand loyals.

Monk Thoughts Gen Z and millennials will dictate the future of luxury fashion, but how they engage with the luxury fashion market is a complete departure from previous generations.

Osbourne goes on to add: “They’re the most digitally sophisticated consumers to date and brands need to work with a team of experts that have deep understanding of platforms and emerging technologies while also being fluid in the nuances of fashion to succeed.”

Moncler's mondogenius platform interface homepage

As Italian fashion luxury brand Moncler’s official interactive broadstream partner, the FLUX.Monks helped bring the brand’s 2021 #MONCLERGENIUS Fashion Show to life with an experience that took attendees on an immersive, game-like journey—a fantastical trip around the world. Working closely with Moncler’s physical installation and design agency, Villa Eugenie, our team helped build interactive, virtual worlds inspired by installations spanning New York, Shanghai, Milan, Seoul and Tokyo to bring a new dimension to Moncler’s physical events that allowed the brand to reach a broader audience.

Central to the show itself—which was broadcast on YouTube Live—was interactivity. From animation to live event support, our teams worked alongside Moncler to give users unprecedented access to the show as they interacted with other viewers and contributors via the live-chat system. More than 4 million people visited the dedicated microsite—numbers that will only continue to rise as the platform lives on long after the live event—and 80% engaged with the livestream, with viewing times 4.5 x longer on the interactive (vs non-interactive) livestream. 

Catering to Geographically Diverse Audiences

For most brands, no two markets are exactly alike. And that goes double in fashion and beauty where consumer tastes can be highly nuanced within even a single market. Global brands working to grow adoption across a number of markets need a multicultural partner who can help them show up meaningfully and authentically. So when Amazon Fashion Europe wanted to raise brand awareness and their cred in the fashion space, they turned to our FLUX team. 

Challenged with penetrating five key but distinctly different markets within Europe—UK, Germany, France, Italy and Spain—the team not only brought their fashion expertise, but worked very closely with our social influencer and data teams to become a relevant part of the fashion conversation and strengthen Amazon Fashion’s presence in the channels where fashion and lifestyle are the main drivers.

Amazon fashion influencer ad campaign

Spanning content and asset creation, social and influencer marketing, and community management, FLUX established the Amazon Fashion Council to ensure a humanized feel to the brand’s wide offering. Each member of the council—stylists, designers and fashion influencers—represents a key European market and shares their words of wisdom across the Amazon Fashion channel, engaging consumers in a targeted and personalized manner. Complete with language and translation support—all under one umbrella.

Bringing It All Together for an Iconic Brand

When Burberry wanted to expand their omnichannel presence and develop a 360-degree vision that includes digital, they selected our FLUX.Monks as lead social, creative, strategic and production partner. “Burberry is one of the most technologically innovative and digitally expressive brands in fashion,” says Osbourne, “and we have been equal parts awed and inspired to be partnering with them on numerous integrated campaigns and initiatives designed to reach millions of people globally.”

As part of the fifth installment of the “Burberry Generation” artist collaboration project, our team was tasked with creating bespoke storytelling and driving buzz on social platforms to promote the brand’s iconic handbag—the Olympia bag. We scouted and collaborated with installation and balance artists to build four breakthrough balancing art pieces that incorporated the bag, and delivered four hero short films and a pack of key visuals to showcase execution of the balancing installation. All launched across WeChat, Little Red Book, and social video platforms while the installations were covered in several media publications.

When asked to support Burberry on the launch of their smart retail store with Tencent in Shenzhen, we sought to create social buzz and to drive traffic, online and offline. Our strategy was to tap into media and various content creators, within both the fashion and tech worlds, to cater to Shenzhen as a high-tech hub, and to collaborate with celebrities and local influencers covering WeChat, RED, Weibo, Douyin and beyond usual platforms with Bilibili. Thanks to our launch strategy and local market insights the store was a destination—both online and bricks and mortar—generating massive social buzz and setting the benchmark for a flagship launch for the sector.

A shoreline of rock sculptures in the shape of the Burberry TB Monogram

And to celebrate this year's monogram campaign for Burberry, our team worked with four land artists to reimagine Riccardo Tisci's contemporary monogram design on the Welsh shoreline, where it stood for hours before being swept back into the sea. Our second installation featured a series of 300 drones choreographed to create the iconic monogram pattern in the Colorado sky—a striking constellation above a remote mountain reserve. Together, both embody Burberry's celebration of exploration and the unexpected, and the inspiration of the great outdoors.

Yes, the FLUX.Monks—a global strategic, experiential design and creative team specializing in driving desire and relevance for fashion, luxury, lifestyle and beauty brands across the end-to-end customer journey—have had quite a year. And with the fashion industry changing moment-to-moment there’s much, much more to come.

Maintaining a balance between data and instinct, FLUX experts engage in new channels, experiences and audiences for luxury brands. Maintaining a balance between data and instinct, FLUX experts engage in new channels, experiences and audiences for luxury brands. Fashion virtualized fashion virtualized events luxury digital experience end-to-end experience

Why Bother with a Cool Creative Campaign When Your Website Sucks?

Why Bother with a Cool Creative Campaign When Your Website Sucks?

4 min read
Profile picture for user Jouke Vuurmans

Written by
Jouke Vuurmans
Chief Creative Officer

Why Bother with a Cool Creative Campaign When Your Website Sucks?

Brands are treating their dot-coms as information dumps when they should be their digital heart.

While companies are investing big bucks in cool creative campaigns, they’re leaving users to flounder through uninviting, uninspiring and irrelevant corporate websites. It’s like creating the coolest invitation for the lamest house party. Today, consumers expect more.

We’ve all seen it. A well-targeted, interactive Facebook post leads you through to the brand website to show you the car/phone/suit that’s apparently just right for you, but when you get there, it’s a mess. You’re on the Australian landing page, and the product that led you there is obscured in a hidden section that takes five clicks to get through.

As an industry, we’re making great products and really interesting experiences, but this only covers part of a consumer’s journey. Through my time at MediaMonks I’ve observed that all too often there’s a growing disconnect between the creative campaign — the exciting, one-off experience that lures a user in — and the next step in their journey.

With today’s technologies and insights, there’s no reason dot-coms can’t be as effective as the social post/chatbot/film that sparked interest to begin with. However, to transform dot-coms into a flagship experience, a little work needs to be done.

1) Marketing & IT Need to Make Love, Not War

A brand’s website is the second most trusted advertising format after recommendations from family and friends. But despite their huge power, most dot-coms are managed by IT departments and detached from any brand marketing efforts or C-suite goals.

In larger and more traditional companies this division seems logical from an organisational perspective. Marketing focuses on time sensitive campaigns to position a brand in short-form and targeted content, while dot-coms contain a lot more functionality (for instance e-commerce and user profiles) and have to deal with IT-issues such as security, reliability and maintenance.

From the consumer’s perspective the result of this strategy is simply inconsistent; the enticing storyline that started in a brand’s campaign, through Facebook or YouTube, suddenly loses the plot at its digital heart.

To address this, marketing and IT departments need to work together towards the same objectives, within the same budget and preferably as one team. Building a bridge between these two worlds will lead to a more compelling coherent brand story across all channels, and could result in new exciting ideas emerging.

2) Best of Breed Design

Digital platforms have become the de facto interface between companies and their customers, so the design, user interface and content of brand dot-coms all play an important role in determining the relationship between companies and their customers.

Effective design is about finding a good mix of simplicity and relevance. A brand’s dot-com needs to be easy to understand and simple to navigate, while also providing a valuable experience. Through great typography, stunning visuals and graphics, visitors need to be inspired with a pleasant layouts that fits the brand and its message.

It’s not all about good design. Brands need to allow consumers to explore and engage with products up close by making them tangible. Providing users with the perception of being able to grasp something (known as haptic perception) increases their perceived sense of ownership of an object. Powerful brand dot-coms let visitors explore and engage with products up close.

There are still very few product sites that have made the most of haptic imagery, however strong examples do exist. Weber Genesis II offers an unprecedented level of product exploration by featuring point of view videos along with 3D animations to show and explain all of the grill’s design and technical features. And Malibu Boat’s new website takes the user on a customised tour of their favourite boat in real-time 3D, going as far as allowing users to select a time-of-day to literally see the boat in a different light.

3) Kill One Size Fits All

Part of the success of today’s creative campaigns is down to brands harnessing the potential of data — so why can’t we do this for dot-coms too?

Having a one-size-fits-all experience today is like having a shop that has everything you need, but nothing that you want. Don’t get me wrong, we don’t believe in cookies that follow you around the internet, but we do believe in ensuring the user’s experience is as relevant and engaging as possible.

The US Air Force website is a strong example of this. Through an algorithmically driven database of content, users are presented with content that has been analyzed and adjusted to best suit their interests and needs. This website redesign led to a 60% increased conversion rate of applications over the first two months and the fact this project won a Cannes Lion goes to show that even the government can boast a celebrated homepage if they put their mind and money to it.

Do Your Brand Justice — Fight the Corporate Website

E-commerce aggregator sites like Amazon, Booking.com or Zalandos growing in popularity makes it even more important for brands to make the platform they can control the most compelling end-to-end experience it can be. And while it’s valuable companies invest in crafting their brand story through social media and targeted advertising, failing to optimise a brand’s dot-com is an enormous business opportunity wasted.

There are endless examples of brands doing an amazing job with their digital campaigns such as REI’s Opt Outside, microsites like Canada Goose’s Out There, and apps such as If Insurance’s Slow Down — and we should be challenging ourselves to provide this same experience across dot-coms too.

Because if people can’t find what they’re looking for and leave your website within moments of arriving, why bother driving them there in the first place?

Brands are treating their dot-coms as information dumps when they should be their digital heart. While the c-suite may invest big bucks in brand marketing, they’re leaving users to flounder through uninviting, uninspiring and irrelevant corporate websites with poor end-to-end customer experiences. It’s like creating the coolest invitation for the lamest house party. Today, consumers expect more. Why Bother with a Cool Creative Campaign When Your Website Sucks? Brands are treating their dot-coms as information dumps when they should be their digital heart. It’s like creating the coolest invitation for the lamest house party. But today, consumers expect more.
brand marketing end-to-end experience c-suite

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The website has been translated to English with the help of Humans and AI

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