Choose your language

Choose your language

The website has been translated to English with the help of Humans and AI

Dismiss

Tua Tagovailoa and Terry on a production stage filming
Coach Terry from GoNoodle

Coach Terry’s Totally Terrific Fitness Fantasy • A Fitness Fantasy Brought into Extended Reality

  • Client

    Verizon

  • Solutions

    ExperienceVR & Live Video Production

00:00

00:00

00:00

Case Study

0:00

Adding a new dimension to the world of GoNoodle.

With a massive presence in elementary schools and homes, GoNoodle inspires kids to be their best, silly selves through safe, quality health and mindfulness content. Through a colorful cast of animated characters, kids are encouraged to get up and move—and have built powerful relationships with personalities like Coach Terry in the process. To bring these relationships to life in a whole new way, we teamed up with Verizon, Fuel Up to Play, quarterback Tua Tagovailoa and GoNoodle to produce “Coach Terry’s Totally Terrific Fitness Fantasy,” a cutting-edge children’s fitness broadcast.

Four images showing the GoNoodle live stream

An innovative broadcast approach brings two fan favorites together.

Inviting children into the GoNoodle world added a new dimension to the fitness experience, challenging our artists to reconceive the 2D Coach Terry design as a 3D character. We built a new model and rig so that motion capture performers could give motion and expression to the character in real time. The broadcast itself came with its own challenge: in the show, Tagovailoa and Coach Terry appear to be standing in the same space, but they were actually shot live in two separate locations. Using Disguise hardware and Unreal Engine, our team was able to send motion capture data wirelessly from the mocap studio to the XR stage at Verizon’s 5G Lab, blending multiple camera feeds together into a seamless virtual world.

Our Craft

Software-defined production brings fans together from all over.

  • A stage with a person in a mocap suit being filmed
  • A bunch of computer monitors showing what's being filmed live
  • A person in a mocap suit and another person doing voice overs in real-time

5G connectivity unlocks seamless interaction at low latency.

Verizon’s 5G connectivity was essential to bring Tagovailoa and Coach Terry together—and to invite children into GoNoodle’s world through live interaction. We leaned on the speed and low latency of Verizon’s 5G network and mobile edge computing to create the natural conversational flow critical to making this broadcast concept successful. We took this even further by integrating live video of a classroom into Chicago, incorporating students directly into the 3D environment in real time, and using our LiveXP interaction platform to display polling and emotes throughout the show.

A winning formula for live broadcasts.

“Coach Terry’s Totally Terrific Fitness Fantasy” gave kids, teachers, and parents a fun, safe, and trusted real-time fitness experience featuring two popular and cherished personalities. With innovation and interactivity at the core, the show also established powerful new ways to use 5G and mobile edge computing to create interactive educational, sports and fitness programming—a perfect touchdown for live broadcasts.

Want to talk experience? Get in touch.

Hey 👋

Please fill out the following quick questions so our team can get in touch with you.

Can’t get enough? Here is some related work for you!

How Live Remote Production Keeps Sustainability Goals Grounded

How Live Remote Production Keeps Sustainability Goals Grounded

Emerging media Emerging media, Experience, Sustainability, VR & Live Video Production 4 min read
Profile picture for user mediamonks

Written by
Monks

A person on a laptop

As the effects of the climate crisis become more apparent and time is running out to act, sustainability has become a key focus for brands and consumers alike. Brands are setting up ambitious targets to turn the tide—and we’re no different, holding ourselves to UN Sustainable Development Goals and formalizing our commitment to become net-zero by signing the Climate Pledge in 2021.

Among our foundational environmental, social and governance goals, we aim to become a climate-neutral, environmentally conscious business—and a catalyst for change in our industry, leading by example and helping brands become more sustainable themselves. So while programs like carbon offsets are steps in the right direction, the key to meeting sustainable goals is to design operations that limit carbon emissions to begin with, and our live remote production workstream fits the bill.

Sustainable workstreams shouldn’t be a tradeoff.

Sometimes the road to being green can feel like making a series of concessions, but working sustainably often means working smarter. When reliance on digital grew throughout the Covid-19 pandemic, we adapted by designing a remote broadcasting workflow that limited the number of people needed on location. This production pipeline, with Amazon Web Services (AWS) as its backbone, did more than help us deliver incredible, live digital experiences to people everywhere—like immersing audiences in a VR Post Malone performance that transforms the experience of listening to an album. It also significantly reduced our carbon footprint.

Our live remote production connects teams to broadcasting software, eliminating the need for gas-guzzling broadcasting trucks on location. It also cuts out the need for specialized talent to travel to shoot an event: we’ve reduced our number of on-site broadcast talent by 83%. Adding to those benefits, our primary workload is based out of the AWS Northern Virginia region, which was powered by over 95% renewable in 2021.

Who wouldn’t want to trade lugging around energy-intensive equipment prone to breaking down—be careful not to trip on a wire and shut down the whole show!—for the cloud? This pipeline recently earned us the coveted Sustainability in Leadership award at NAB Show, the leading conference dedicated to the evolution of broadcast.

NAB awards ceremony with people on stage

Lewis Smithingham, far right, accepts the Sustainability in Leadership award at NAB Show.

Monk Thoughts We're incredibly honored and excited for this award because we believe sustainability can and should drive innovation and creativity throughout the production process.
Headshot of Lewis Smithingham

The benefits extend to talent as well. Gone are the long, grueling hours spent on set. The ability to collaborate remotely broadens our talent pool, ensuring the best person is cast for each job, even if they’re working across the country—or in a different one. Our experiential team has also developed a suite of tools like LiveXP that furthers the connection between audiences and the action beyond the screen.

One key benefit of live remote production is risk mitigation. First, the greatly diminished environmental impact reduces the social risk of a brand missing their pledged environmental, social and governance (ESG) commitments. Second, cloud-based tools are also more reliable. Traditional broadcast production teams have only a finite set of equipment that may break down. In the cloud, we can plan for redundancies and quickly spin up a new virtual machine should something happen to an existing one. You can learn more about what live remote production looks like on Amazon’s blog

Let sustainability be the byproduct of innovation.

Sustainability and innovation go hand in hand, and our low carbon, live remote production uniquely enables compelling virtual and hybrid experiences—filling a crucial whitespace in broadcasting as the culture shifts to more immersive and creator-led channels.

“Broadcasting is culture. It’s the vehicle by which culture spreads,” says Smithingham. Increasingly, culture is happening within immersive, interactive spaces like gaming, social feeds and metaverse worlds—behaviors that are challenging broadcasting to adapt. “A core undercurrent across all of this is if something is not interactive to younger generations, it feels broken and it feels disconnected.”

Look at award shows for example. Exclusive and invite-only, viewers must watch the fun from a mediated distance, chattering in backchannels like social media. We flipped the script by partnering with Logitech For Creators to host the first music award show in the metaverse—The Song Breaker Awards—which invited everyone to not only attend but actually become part of the show in Roblox.

What about hybrid experiences? When it comes to sharing an esports experience with audiences around the world, you’d be forgiven for using traditional sports broadcast as a blueprint. But with sports facing a decline in young viewership, it’s clear the formula is worth shaking up. In celebration of Valorant’s first anniversary, we translated the game’s rich lore into a recognizable IRL environment, then pit attendees against livestream viewers in a challenging bout. Viewers could frustrate on-site players by sharing hashtags in the chat that triggered traps—setting a new precedent for gamified broadcast experiences.

Both experiences were designed to connect with consumers in ways that weren’t possible before. If an experience calls for disruptive ways of working, why not use that as a forcing function to move a part of the operations to a low-carbon approach?

Live remote production balances efficiency and sustainability.

By leveraging live remote production, our experiential team can deliver interactive experiences that drive culture and ROI with incredible efficiency, reducing greenhouse gas emissions in the process. The best part? Those benefits contribute directly to brands’ ESG goals and industry mandates. This is a win-win as we connect with consumers in innovative ways, contribute to carbon reduction goals, and reduce risk along the way.

As consumers increasingly demand sustainability from the brands they engage with, offering environmentally friendly solutions becomes an urgent need. And because sustainability challenges us to accomplish our goals in new or different ways, it can unlock innovative ways of reaching audiences. So, whether it’s a matter of saving the planet or simply saving consumers from boredom in fresh ways, we’re down for the challenge.

Our live, remote production worksteam limits carbon emissions in a practical way—achieving sustainable goals and delighting audiences in the process. sustainability amazon livestream film production digital production virtual experiences hybrid events Experience VR & Live Video Production Emerging media Sustainability

5 Lessons for Rookies Who Want to Rock Digital Production

5 Lessons for Rookies Who Want to Rock Digital Production

6 min read
Profile picture for user Thomas Dohm

Written by
Thomas Dohm
Sr. Producer at MediaMonks

5 Lessons for Rookies Who Want to Rock Digital Production

Digital producers are a relatively new kid on the advertising block: emerged to fill an industry-need that other roles weren’t meeting, we gather talent and assets to assure the end product’s quality, whether that’s an innovative digital campaign, a nifty mobile app or the newest dot-com.

Our breed is unique: one part client-facing account manager (but less hands-on), one part project manager (but less process-driven), and all around quality watchdog. Because, in the end, the product you deliver has your name on it.

Coming from an operational background, I’ve met my fair share of challenges. Two years down the road in a senior position, I’ve gathered elements that I hope would be useful for anyone starting their career as a Digital Producer and looking for the keys to success, or anyone else curious and interested in jumping on the bandwagon.

1. Learn to read between the lines

Read them, recognize them and see through them. You’ll hear a lot of lines all the way from inquiry to delivery, so learn to pick up the clues. Pay particular attention to what your clients say, but even more so to what they don’t say.

1 You can measure how good your product is against the objectives listed in your project brief. My favorite part: contrary to traditional advertising, there are all sorts of tools out there that allow you to track your product’s performance.

2 In China, consumers will either be incredibly price-sensitive and will go with the cheapest option, or they will be willing to buy something premium if it enhances their social status – there’s no middle tier. To provide this social currency, Western brands often need a Key Opinion Leader (a Chinese influencer) to localize and lend authenticity to the brand.

3 This is not a bad idea on paper, but in practice almost impossible for a vendor at the end of the line to rewrite the work streams of 3 different companies.

Monk Thoughts Collect various perspectives from across the fence and clearly ask them what the project’s objective should be.

Somewhere last year, we walked into a pitch for a Japanese client feeling confident that we’d ticked all the brief’s boxes. Yet, we didn’t even make it through the first round. After some digging, we discovered that the brief we’d been given matched the wishes of the manager in charge but wasn’t what other decision makers were looking at to award the project.

One way to stop from missing clues is prioritizing face-to-face meetings over email. Collect various perspectives from across the fence and clearly ask them what the project’s objective should be, rooting out any misalignment.

Should you find out that objectives from different departments clash, the answer often lies in identifying who calls the shots and aligning your approach.

2. You own the product, not the process

This next one took me some time to wrap my head around but should be at the top of your mind every time you take on a new brief: digital producers’ success is measured by the quality of the work they produce.

The key metric that outweighs whether the product was delivered on time and within budget, is quality1 — and that’s an important distinction. So don’t hesitate to take part in the creative process and provide feedback, because the results will reflect it.

Case in point: our Amsterdam-based creative team proposed a great campaign idea for a premium fashion brand for the APAC market. It was a scalable digital campaign, but interacting with consumers in a way that was not all common in China and lacked the social currency the local audience craves2 — which is why I dropped my two cents to tweak and localize the approach.

Monk Thoughts The key metric that outweighs whether the product was delivered on time and within budget is quality—and that’s an important distinction.

Had this brief landed on my desk a few years ago, I would’ve focused on providing the necessary timings and insights to the team, but ultimately would have left the creative approach to the creative director. Our overall idea would have been received with enthusiasm, but skepticism from the local markets – ultimately resulting in a rejected proposal.

3. The people involved remember the ride, not the results

A high-quality product is likely to make headlines, but if you want the buzz to turn into new business you have to keep in mind that a project’s legacy outlives the headlines. Everyone responsible for making those headlines will remember the process leading up to them more than the results.

Monk Thoughts It’s always worthwhile to involve clients in identifying possible pain points and improve them collectively.

Your team may forget an all-nighter, your client may forget a missed milestone, but they won’t forget how you handled any setbacks or how the overall experience made them feel. After collaborating on a digital campaign with one of our closest clients — and powering through serious delays — we received an end-of-year note that praised our “energy, dedication, and laughs in between.”

Praise or not, it’s always worthwhile to involve clients in identifying possible pain points and improve them collectively. Staying positive and avoiding the blame game will cement your partnership, and ensure return business.

4. Embrace the maître d’ metaphor

Imagine your production house as a restaurant. Your client’s the customer and your in-house team the kitchen crew — designing experiences, cooking websites — and you act as the maître d’, responsible for the overall experience. The customer wants to receive stellar service, taste dishes from the most talented chefs using the best ingredients, and (to push the analogy) to do all this without breaking the bank.

Service should flow harmoniously, and none of your patrons want to hear how difficult it was to get the dish in its current form on the table. You’re untethered to any one table, able to oversee the landscape and identify the areas most in need of help — and either reassign, adjust, or jump in yourself to lend a hand.

Our Cannes Lions are our Michelin stars, and if the quality of the service provided is consistent, they’ll recommend you to their friends. Some even say if the service is right, the food tastes better.

5. Change is going to happen, and that’s not a bad thing

Digital is always evolving, over the course of a campaign that’s months in the making change is bound to occur. Whether it’s an innovative technique or a change in trajectory. Traditionally, a project manager sees change as a risk to be monitored and mitigated. However, a successful digital producer knows how to bend the rules, re-route the direction, and find trade-offs.

Monk Thoughts Understand what your client really wants, be part of the work rather than managing work effort, embrace change along the way, and make your team (and your clients) enjoy the ride.

It’s your job to be the guardian of scope and budget. Unforeseen changes may impact both parameters, making it extra important to be transparent and realistic in your everyday dialogue with the client. At the same time, change can lead to the creation of better product.

We recently delivered a mobile app which initially relied heavily on fresh, animated content each week. Because of the interminable chains of approval, it eventually became obvious that we would never manage to produce updated content in time, every week.

If I were a project manager, I would’ve tried to go beyond our position in the chain, and streamline the approval process upstream to save time1. Instead, I proposed to reroute the direction of the app and use the leftover budget on an in-app AR experience that users could access in different locations. This way, we weren’t reliant on content we’d have to create ourselves — bonus points for freeing up animation resources — but utilized users’ geographical location to deliver unique experiences.

Being a part of delivering a kick-ass product that creates a mind-blowing digital experience for users is why most of us are in the trade. But if you are looking for ways to develop as a digital producer and elevate an experience, these are the things to remember:

Understand what your client really wants, be part of the work rather than managing work effort, embrace change along the way, and make your team (and your clients) enjoy the ride. Beyond skills, being a good digital producer is a mindset. With these lessons in mind, I have no doubt you’ll knock this whole producer thing out of the park.

This article was originally posted by the author on LinkedIn.

Part account manager, project manager an quality watchdog, digital producers wear many hats and have a lot to juggle. Whether you’re new to the trade or a seasoned veteran, these tips will help you better realize clients’ creative vision. 5 Lessons for Rookies Who Want to Rock Digital Production Digital producers wear many hats and have a lot to juggle. Sr. Producer Thomas Dohm imparts wisdom for those picking up the tools of the trade.
digital producer digital production project management creative process

Choose your language

Choose your language

The website has been translated to English with the help of Humans and AI

Dismiss